The Sennheiser e 902 is a meticulously crafted microphone designed specifically for kick drum, bass, and low-end instruments. Renowned by professionals worldwide, this dynamic microphone is the epitome of low-end reliability and performance.
Condenser boundary plate microphone. Half-cardioid for a precise, fast, and realistic sound from a kick drum. Also for conference tables, podiums, altars, stages, pianos, and percussion.
The RE20 dynamic cardioid microphone is truly an industry standard, a firm favorite for broadcasting, podcasting, and sound engineering worldwide. Its popularity also extends into music production as a premium grade instrument microphone.
Combining the legendary sound of the 4088 directional capsule with the lightweight earset system, the 4288 is ideal for both spoken word and vocal performance applications.
The 4266 omnidirectional microphone combines the legendary sound of the 4066 capsule with a lightweight and flexible single earset system. This condenser mic is easy and fast to adjust and it offers clean and transparent sound quality with lots of headroom.
The Beta 98H/C miniature cardioid condenser microphone clamps onto the bell of wind instruments or onto the rim of percussion instruments. The integrated gooseneck and ratcheting swivel joint allows the mic to be easily positioned and secured, and an isolation shock-mount reduces the transmission of instrument vibrations
The Shure Beta 98 is a compact, high-output, condenser microphone for professional sound reinforcement and studio recording. An extremely uniform cardioid polar pattern provides excellent gain before feedback and off-axis rejection of unwanted noise.
The Shure Beta 91A is designed for use with kick drums, piano and other traditional low frequency applications. Tailored for bass-heavy environments, this microphone features a powerful low frequency response and integrated preamplifier and XLR connection for easy setup and minimal stage clutter.